As a young French composer in his mid-twenties, Joseph Maurice Ravel joined with a number of other artists, musicians, poets, and assorted friends in Paris to form a group called “The Hooligans” ( Les Apaches in French, which makes you wonder about how a certain Native American tribe got its name). This was at the turn of the century—the 19th to 20th century, that is. Imagining the antics of twenty-something creative souls getting together makes the name they chose somehow appropriate. Claude Debussy and Igor Stravinsky were also members at one time or another.
That hooligan spirit must have followed Ravel into his career when he composed his most famous and popular musical piece that he described as having “no form, properly speaking, no development, no or almost no modulation.” He said the music was inspired by the sounds of the machines in the factory his father worked in. His goal was to create a work of music that repeated over and over and over again, to see how long he could get away with it. The answer apparently was something in the neighborhood of fifteen to twenty minutes.
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